| Art: Minimal and Conceptual Only: The artist writes his "self-portrait" which serves posthumously as a perpetual conceptual memorial project. Captioned artwork photos relate his major themes. |
| Artcyclopedia: Links to images of his museum and gallery holdings provided. |
| Berkeley Art Museum: Group Material Collective: Richard Meyer's introduction to "The AIDS Timeline", a mixed media installation exploring its late decade socio-political context, by the four member Group Material collective which included Gonzalez-Torres. |
| Creative Time: 24 Billboards: Introduction to the large scale public works project detailing locations of various New York City installations links to five critical essays offering insight into his work and philosophy. |
| Digital Journalist: 20 Years - AIDS and Photography: W.M. Hunt explores the subjective nature and affirms the diversity of interpretations for the artist's "Visions" series, sponsored by New York Museum of Modern Art's Projects 34. |
| Echo New York City: Matthew Weinstein's digitally illustrated essay examines the societal impact and political challenges of his artwork. |
| Museum of Modern Art Frankfurt: Curators relate his work to museum's other holdings and introduce the artist, presenting his work in a detailed biographical context. Offered in English translation, pdf or html format. |
| Queer Cultural Center: Biography, image gallery, and transcript of 1995 interview by Robert Storr for ArtPress magazine offered in addition to Lawrence Rinder's review of the artist's 1994 solo MATRIX/Berkeley 161 exhibition. |
| Walker Art Gallery: Quotations of the artist himself provide image captions and link to a comprehensive bibliography and critical reviews of his work. |
Classical
